Topic 1 - M Shed Report
Wednesday the 4th September, the M Shed which is located by Bristol Docks, displayed a free photography exhibition in which I attended. This exhibition had a collection of photographs portraying human form portraiture in various different styles in order to win a potential prize. This exhibition featured work from many different photographers including Justin Sutcliffe, Annie Colligne, Mark Mcevoy and many others. A first, second, third and fourth prize was awarded to the photographers whom showed most potential and meaning through their photographs according to the National Portrait Gallery organization. The venue of this exhibition was also clearly thought out as it had a zigzag split down the middle of the room , creating an interesting, divided split to display each photograph.
First Place
First place in the portraiture photography exhibition was awarded to Jord Ruiz Cirera for his portrait of Margarita Techroeb. Collecting a prize win of £12,000 this London-based Spanish Photographer has inspired many by his photograph of a shy 26 year old, religious Bolivian woman. This woman is a Mennonite and the religious community in which she is involved in usually forbids photographs, this is shown by her awkward body position and her shyly concerned facial expression. This photograph was part of Jord Ruiz Cirera long-term project named Menonos where he documented life of the community among Margarita individuals and family. However due to aspects of this religion it was very difficult and took a long extent of time before Cirera received any consent to photograph people within this religion. Using only natural lighting in this winning photograph, Cirera only collected two frames altogether of this woman which again highlights the difficulty and unwillingness these people have to face when interfering with their religion. I like this photograph mainly for the simplicity of it. Her facial expression and body position gives the photograph meaning and implies this woman is uncomfortable and doing something in ordinary. The use of aperture is also demonstrated effectively in this photograph by slightly blurring the background to produce focus to the subject however staying clear enough to indicate the simple furniture in the background, I believe the photographer would have used an aperture around f8. Along with her facial expression I believe the lack of eye contact is also an effective clue to how she is feeling while this photograph is taken. Overall i believe this photograph is an outstanding piece of work because of different photographic techniques for example having the focus on the subject highlighted by aperture and the positioning of the woman in the middle of the rule of thirds even though it is clear she doesn't want to be centre of attention. However I believe this photograph could have been more effective if the image was shot from an angle looking slightly down on this woman which would reveal more of her body and how it is positioned as well as having a hidden meaning of her religion looking down upon her for doing something he is not meant to be doing.
Second Place
Second Place was awarded to Jennifer Pattison for her portrait of Lynne, Brighton. This nude photograph of Lynne was one of many nudes and landscapes within a unnamed collection by Jennifer Pattison. Lynne was a friend of the photographer and posed for her in an empty bedroom of a house located in Brighton. On the National Portrait Gallery website is states that Pattison says, ‘There is an interesting shift in the consciousness of the sitter during the slow process of making these portraits; a moment in the quiet where they become unaware that they are naked. I capture them as they drift to another place. With no direction Lynne adopted this straightforward pose, bare and undaunted, looking straight down the lens and beyond.’ I love this quote in which the photographer spoke as it has great truth among it, once the model is comfortable and gets into the zone of feeling natural and normal with their surroundings while nude, the photograph which is taken will appear ordinary and the subject will not look or feel daunted in the situation they are in or the place of their surroundings. I like this photograph because although some people may think it is unacceptable I have respect for how comfortable the subject is within her own skin, this is highlighted by the casual stance of the model while holding a mug as if in an ordinary situation. The smile on her face also gives this photograph character and creates a more natural persona to the image. In addition I believe the focus is on the woman entirely, not from using a low aperture but by placing her in front of a plain background with no distractions and using lighting shining mainly on the model. However i believe this photograph could have been improved by making the model do a normal day to day activity while nude to strongly highlight and contrast her nudity with normal activities and surroundings therefore portraying the human body as normal, natural and beautiful.
Third Place
Third place was awarded to Spencer Murphy for his portrait of Mark Rylance. Spencer Murphy was born in 1978 and grew up in Kent. He has gained a BA in Photography at Falmouth college of arts and mainly enjoys photographing famous subjects. This photograph is of Mark Rylance, an actor who was photographed for the front cover of the Telegraph Magazine, promoting Rylance's return to the Globe, performing as Richard III. Spencer Murphy stated ‘I’ve always enjoyed working with actors as there’s no awkwardness or discomfort in front of the camera and they are able to understand direction and react to it very easily. Mark was no exception.’ This is understandable as famous individuals, particularly actors know how to act in front of a camera as they have had great experience of this and don't daunt themselves over simple instructions. I like this photograph and the angle in which the subject is facing, the close up shot of Mark Rylance is effective and his facial expression is more prominent and visible to detect. His lowered eyebrows and slightly saddened eyes contrast effectively with the half turned up smile in which he is showing. This can be interpreted as he was sad before his return to acting therefore highlighted by the smile in which is creating upon his face. His scruffy shave, dressed in a vest and sloppy slicked back hair also indicates he was nothing while not acting, he didn't have to make the effort but now he can. Rylance is clearly happy that his return to acting is near and this juxtaposes with his bright eyes on display contrasting with his dull presence. I believe this photograph is very effective and a lot of information can be interpreted by it, however I believe it could be improved by shooting the actor in his own personal surroundings to show how his break from acting effected his life.
Fourth Place
Finally Forth Place was awarded to Alma Haser for her portrait of Luke and James. Alma Haser was born into an artistic German family in 1989. She then moved to the UK in the year 1995 and gained a BA in photography. This prize winning photograph was shot in her shared house in London with the two subjects being best friends from the age of 12. This photograph was previously intended to be two individual portraits but due to lack of concentrating from both subjects she decided to photograph them together. Alma Haser stated ‘I asked them to sit on a tiny, wobbly coffee table, forcing them to almost cling onto each other. Ultimately I wanted to turn their verbal banter into a visual image. The title is designed to help viewers make up their own stories about what is going on.’ I like this quote because you can interpret this photograph in many different ways. At first I looked at this photograph as two childish adults who are physically intertwined with each other because they don't know any better. However once I read Haser's quote I look upon this photograph slightly differently. The consequence of a wobbling coffee table makes these two individuals grasp upon each other which also indicates a comfortable feeling among the two individuals which highlights their friendship. I believe they are adults and act as adult but among each other turn into children. This is shown vividly due to the style of the photograph being some what similar to a school photograph of siblings, these two friends could be looked upon as brothers by the fact they have a very close relationship. The position they are in shows support and comfort with each other from the grasp of holding on and a relaxed persona is pursued by their body structure. I believe this photograph is very effective however I believe it could be improved by a shot of the two friends doing something personal to them, this would give evidence to their personality and what they enjoy doing together.
Photographs I like
A photograph I particularly liked in the portrait exhibition was 'Lola Smoking' taken by Alice Pavesi Fiori. This photograph was taken amongst a collection of other photographs in a 1930's fashion inspired shoot. This photograph shows clothes of Alberta Ferreitty and was taken on a Polaroid camera on the first sunny day of that year. I like this image as the quality of the photograph works perfectly with the 1930's theme and creates an appearance as if this photograph was taken in that time zone. The shadow and angle of this photograph is also interesting as you can see along the beach into a faded distance. Although aperture wasn't an option on this camera the focus is still on the female subject and the shadows work effectively in showing the weather of that day. I particularly like her body position and graceful appearance with a cigarette which in the 1930's was seen as classy.
Another photograph in the exhibition that I was very fond of was PC David Rathband which was taken by Justin Sutcliffe in July 2010. This police officer was shot in the face and lost his sight which meant his eyes were replaced with artificial ones. PC Rathband was interviewed a year after the attack by the Independent on Sunday and then featured in a variety of photographs. I believe this photograph is very inspirational and full of emotion due to the fact that this man is brave enough to be featured in photographs and staying strong throughout the whole shoot. Even though his eyes were replaced you can scene a sad emotion from him and this is enhanced by a slightly low aperture , focusing upon the scars on his face. The lowered sides of his mouth indicated his distressed emotion and how his lives events has effected his happiness. In addition the close up angle and plain background significantly enhances the serious issue in which being photographed.
Photographs I Do Not like
I didn't particularly like David Stewart's photograph of the 'four hats' as I don't think it showed much potential in comparison to other photographs in the exhibition. Although shot from an interesting angle with a background to provide the allusion of the sofa in an upward position, I don't think the character of each subject is strong enough and the relationship between each person is difficult to detect. Each characters body position is different from one another and I believe it would flow much more successful if each person sat in a very slight altered position when running along the sofa to juxtapose the angle in which the photograph has been taken from. Although this photograph clearly does show four hats, the meaning of why the hats are relevance is lacking within this photograph, this is the reason I don't particularly inspire to this photograph.
Another photograph I didn't really inspire to was the portrait of Victoria Pendleton by David Clerihew. Although the models stance detects that the woman is a strong individual, her facial expression is rather bland and doesn't show much of her personality. There are good aspects to this photograph for example the definition of her muscles enhances her strong structure and indicates what her hobbies may be. However I believe this photograph would be more effective if the subject was photographed in a feminine position among her sporting equipment to contrast her past time with her personality.
Topic 2 - The Scream
The Scream is a very famous piece of art consisting of four different versions created by both painting and pastel. The scream was developed by expressionist artist Edvard Munch between the years of 1983 and 1910. 'Der Schrei der Natur' which means 'The Scream of Nature' is what Edvard Munch named his masterpiece after producing a portrait of an unknown figure with an unsettled expression, grasping their face in front of a unique landscape of bleeding orange skies and faded figures in the background. Arthur Lubow described The Scream by saying it was "an icon of modern art, a Mona Lisa for our time." This piece of art inspired thousands of people and changed the art movement significantly at that time. Munch created four different versions of The Scream, two being in the media of paint and two in pastel. The National Gallery, Oslo, contains one painted version (1893). The Munch Museum contains the second painted version (1910) as well as a pastel version from 1893. The forth version from 1895 created by pastel was sold for $119,922,600 at Sotheby's Impressionist and Modern Art auction to a financier named Leon Black on 2 May 2012. The scream is extremely famous and all versions are worth a significant amount of money, they have been a massive target of theft and have been previously stolen before.
When recreating The Scream in photographic form there were elements of the artwork in which I had to take into consideration before photographing my subject. The vital aspects of The Scream in which I noted were the facial expression of the subject, two unfocused individuals in the background in addition to the railings positioned on the side of my subject which disappear into the distance giving the photograph depth. Therefore this photograph is one of my best unedited shots as I believe it juxtaposes well with The Scream and provides similar information but in a photographic form. To create an extended depth of field within this photograph I captured this with my camera on a angle looking up on my subject which created a linear depth from the railings and had my camera on aperture f8 to create a blurred far distance but still clear enough to see what is there in the image. The ISO in which I used in this photograph was also quite low of around 100-200 as this was taken outdoors on a light day. This photograph could then be edited further on Photoshop to create a stronger resemblance between the original piece of art and my individual recreation.
Furthermore I also captured a very similar shot to my previous photograph with the difference of a portrait view instead of a landscape to resemble the original Scream. However I believe the general atmosphere created by the facial expression and body language is more effective in my first image.
Topic 3 - Natural and Constructed Photography
For this topic we focused on Natural and Constructed photography. Before shooting my own images, I researched other artists within this topic to gain knowledge and inspiration.
Topic 3 - Natural and Constructed Photography
For this topic we focused on Natural and Constructed photography. Before shooting my own images, I researched other artists within this topic to gain knowledge and inspiration.
Natural Photography
Ansel Adams
Ansel Adams was an American Photographer and was also an environmentalist. His photography of natural aspects usually consisted of black and white tones within a landscape of America, favourably captured in Yosemite National Park. His work has been widely accepted and published in posters, calendars and books. From his work it is clear that he particularly inspires to capturing trees and various other plant life within the topic of Natural photography.
This is an example of a photograph created by Ansel Adams which demonstrates Natural Form from an unique perspective. The use of aperture technique is also visibly clear as the texture of the bark is hard and crisp whereas the leaves are more of a smooth appearance. I believe Ansel Adams used an aperture of around f8 as the background isn't completely blurred. Although I like this photograph, I believe I would prefer it if there was a wider variety of dark and light tones which would enhance the texture significantly. However I do understand how this photographer hasn't darkened the image too much as he wants to keep the texture of the leaves in the background still visible to the eye.
This is an example of a photograph created by Ansel Adams which demonstrates Natural Form from an unique perspective. The use of aperture technique is also visibly clear as the texture of the bark is hard and crisp whereas the leaves are more of a smooth appearance. I believe Ansel Adams used an aperture of around f8 as the background isn't completely blurred. Although I like this photograph, I believe I would prefer it if there was a wider variety of dark and light tones which would enhance the texture significantly. However I do understand how this photographer hasn't darkened the image too much as he wants to keep the texture of the leaves in the background still visible to the eye.
My Examples of Natural Form Photography
This is an example of one of my photographs in the shoot which focused on Natural Form. For this photograph I decided to focus on using the aperture setting within a close up angle. To do this I decided to capture this plant as I believe the texture was effective and I was attracted by it's vivid color therefore I thought this would be a perfect example to demonstrate the use of aperture.
This is another example of a Natural Form photograph in which I took inspiration from Ansel Adams and his love of trees and texture in bark. To enhance the texture of the bark upon this tree I decided to use a very low aperture to keep in focus a small section of the tree while blurring out the rest nearly completely , this photograph was taken on an aperture of around f3.2. This photograph is also captured from a close up angle along the tree rather then from straight on angle therefore this meant the aperture worked more effectively by drawing your eye to the right hand side of the photograph first.
For this photograph I decided to capture the topic of Natural Form with an image of a bird. With an aperture of around f8 I captured this photograph from an angle slighting above, looking along the wooden pier as the duck stood perfectly still looking into the distance. I also like the lighting on the water in this photograph as it shows each ripple which eventually fades into the distance. However if I was to recreate this photograph I would capture this from an angle slightly lower down and with a smaller aperture to blur out the background as I believe it is slightly distracting.
This is another photograph representing the topic of Constructed photography. However instead of capturing this photograph in an abstract form, I have decided to focus mainly on the texture within this photograph demonstrated from a man made object.I mainly like how depth is formed in this image shown by the paint physically peeling away from the wooden wall and the various cracks of paint emerging around the focal point of this image.
Finally this is my last but favorite example of constructive photography. Using a low aperture and creating perspective in an abstract from I captured this interesting photograph of a wall made from cubes of rippled glass. I believe the light bouncing of the glass is very effective and it shows the shape of the glass almost like you could feel the ripples yourself although it is only a photograph. From this picture it has made me realize that I enjoy linking aperture setting and perspective skills within photography together as i believe the combination create a really interesting outcome.
To understand perspective photographically I was firstly asked to practice drawing perspective to understand guidelines within perspective which I would have to imagine while capturing the photograph. Firstly I was asked to draw the perspective of a box as I saw it when placed nearby. Afterwards make the perspective drawings slightly more difficult I was asked to draw the perspective of a model plane. Finally my third perspective drawing was of the hallway within the college building, I believe this drawing was the most difficult however the one which made me understand perspective a lot more clearly as guidelines are significant to creating a correct perspective.
This is my first example of perspective within a photographic form. By using a slightly lowered aperture I was able to enhance the depth of perspective in this image by blurring out the the object as it runs into the distance. To create perspective within this photograph I stood very close to one end of the object but still captured the end of the object in view, this create the illusion of this metal bar beginning large in the picture and slowing decreasing in size the further along the picture gets, this effectively created depth in my photograph.
This is another example of a Natural Form photograph in which I took inspiration from Ansel Adams and his love of trees and texture in bark. To enhance the texture of the bark upon this tree I decided to use a very low aperture to keep in focus a small section of the tree while blurring out the rest nearly completely , this photograph was taken on an aperture of around f3.2. This photograph is also captured from a close up angle along the tree rather then from straight on angle therefore this meant the aperture worked more effectively by drawing your eye to the right hand side of the photograph first.
For this photograph I decided to capture the topic of Natural Form with an image of a bird. With an aperture of around f8 I captured this photograph from an angle slighting above, looking along the wooden pier as the duck stood perfectly still looking into the distance. I also like the lighting on the water in this photograph as it shows each ripple which eventually fades into the distance. However if I was to recreate this photograph I would capture this from an angle slightly lower down and with a smaller aperture to blur out the background as I believe it is slightly distracting.
Constructed Photography
Aaron Siskind
Aaron Siskind was an American photographer who was considered to be part of the abstract expressionist movement. The beginning of his inspirational photography is known to have started when he received a camera for a wedding present and started taking photographs whilst on his honeymoon. Aaron Siskind doesn't only focus on constructed photography but also natural form, however he captures his photographs on a flat surface to create a different image to whats actually there.
This is an example of Aaron Siskind's abstract constructive photography. This photograph is using perceptive in an abstract angle which is very effective and interesting. This photograph is of a brick wall however you have to study the photograph before realizing this as the photograph is not taken from a generic angle. I like how this image uses aperture within the perspective so that the bricks fade into the distance. This feature works nicely with the black and white tones of the photograph as the texture is bold and interesting, eventually fading into an unfocused blur which tricks the eye.
My Examples of Constructed Photography
This is one of my photographs portraying the topic of construction within photography. I have taken this from below a line of various different balconies but only focusing on the bottom of one, however using an aperture which unfocused the background but not enough to discard what is in the background entirely. I believe I have captured this image effectively in an abstract form and I am pleased with the sharp texture that is visible upon the wood below the balcony which is in focus, I believe this way of capturing objects gives the photograph a lot more character.
Finally this is my last but favorite example of constructive photography. Using a low aperture and creating perspective in an abstract from I captured this interesting photograph of a wall made from cubes of rippled glass. I believe the light bouncing of the glass is very effective and it shows the shape of the glass almost like you could feel the ripples yourself although it is only a photograph. From this picture it has made me realize that I enjoy linking aperture setting and perspective skills within photography together as i believe the combination create a really interesting outcome.
Combination of Natural and Constructive Photography
This is an example of a photograph I
captured which includes both Natural and Constructed elements. I like the lighting upon the water in this image as well as the composition of both the duck and the piece of concrete jutting out from the corner of the photograph. I believe the main focus point of this photograph is the right hand side of the rule of thirds however I believe each element of the photograph works well juxtaposing with each other while still all in focus. To improve this photograph I could have altered the aperture slightly to enhance the focal point of the image.
Topic 4- Perspective
One key aspect within photography techniques is perspective and using perspective effectively in your photographs. Perspective is something that gives your photographs depth in the way you capture your image as your photograph will always be flat. Perspective is important to show the viewer of your photograph distance within your image so they understand what you are capturing.
The definition of perspective in photography can be interpreted 'the sense of depth or spatial relationships between objects in the photo, along with their dimensions with respect to the viewpoint (camera lens or the viewer). http://www.picturecorrect.com/tips/perspective-in-photography/
Examples of Drawn Perspective
Perspective Photographically
Once perspective was understood through the media of drawing the task was then given to create a few photographs which show perspective effectively through a digital form.
Secondly this is another example of the technique of perspective captured from a different angle. This photograph was taken by facing my camera up the length of a building and this created depth which is significantly shown from the windows fading into shadowed ellipses from a lower angle from which I am looking.
In this photograph I have experimented with perspective as well as reflection. I captured this image alongside a building made from reflective glass, perspective is shown clearly as the windows eventually fade away into a darkened linear pattern of no reflection. I believe the use of perspective and reflection combined was very effective and unique therefore I would like to practice this combined technique again within my photography.
Evaluation of Visual Recording
Overall I believe all the topics in which I have studied in Visual Recording has helped me develop my photography skills significantly. Beginning the Visual Recording unit with my M Shed report gave me an understanding of different styles of photography and making your photography unique to yourself, producing your own style to your images. Secondly moving onto the topic of The Scream improved my analysis skills of art based work to then produce my recreation in digital form. In addition the topic of Natural and Constructive photography also intrigued me to be more adventurous with my photography and finally the topic of Perspective widened my knowledge of the technical side of photography to create an interesting image. All these skills which I have developed in this unit will positively effect my own photographic creations.
Difficulties In Visual Recording
I believe that the Visual Recording unit was an overall success. I didn't have any major difficulties in this unit of work however I have improved my skills of perspective the most out of each topic I have studied. The thing I found hardest in this the topic of perspective was the drawn diagrams as I found getting the guidelines of each picture correct rather tricky, however I eventually overcame these difficulties and if i were to do it again I believe I would find it a lot easier.
Mshed Wildlife Photographer of the Year exhibition
On Wednesday the 4th of December I visited the Mshed to view wildlife photographs chosen to be presented in the exhibition. Along side a variety of interesting photographs the gallery was split into different sections which was visibly appealing and unique, for example there were real life animals, insects and plant life behind glass containers in addition to puzzle boxes which each individual could interact and learn from.
Photographs I Liked
When entering the gallery my eye was particularly drawn to this photograph amongst many others. This photograph was given the name 'Eye of a Toad' and was captured in icy waters at sunset by Lucasz Bozycki. The photographer sat in this water until the toads were comfortable with his presence and I believe this is significantly shown by the naturally calm exterior of this creature. I mainly inspire to this photograph because of its deep and rich colours working with a high aperture to draw the focus point towards the toad. I also like how some detail of the rippled water is in focus and slowly fades out as I believe it enhances texture within the photograph in a unique technique.
This photograph was also one of my favorite within the whole wildlife photographer of the year exhibition. This particular photograph was in the 15-17 year old category within the wildlife photographer of the year exhibition. I love the texture within this photograph which is significantly enhanced due to a high aperture and the location which is in focus is sharp and crisp in detail. Overall I thought this was an outstanding photograph and the use of photographic techniques and lighting upon this animals face is extraordinary.